"I love synthetic things. They look so real." Andy Warhol —
POLYCHOP begins with a singular, absurd premise: what happens when the domestic hoard—the ubiquitous "bag of bags" hidden in every kitchen—is elevated to haute couture? The project stages an aggressive collision between luxury editorial codes, post-consumer waste, and empty landscapes, converting low-grade grocery plastics into monumental, wind-swept silhouettes. It is a cinematic study in digital Camp—subverting high-fashion rituals to explore the material artifact of our time.